The outer circle
Continuity, long-term work, and the cycles that connect one project to the next.
Commercial photographer · Creative producer
I’m a Detroit-based commercial photographer and creative producer with more than a decade of experience. I photograph people, brands, live events, editorial projects, and community organizations. I plan the work carefully, communicate clearly, and deliver professional images built for the client’s actual needs.
My family has been rooted on Detroit’s East Side since the 1940s. I grew up around neighborhood businesses, block clubs, festivals, music, and community organizations. That experience taught me to pay attention, listen, and photograph people with context instead of treating them like background.
I started RioViisuals in 2017. Since then, I have worked on portraits, commercial assignments, festivals, nightlife, interviews, weddings, nonprofit programs, and large public events. Each kind of work requires a different plan, but the standard stays the same: be prepared, treat people well, and deliver what was promised.
A professional photograph has a purpose. A portrait should represent the person accurately. Event coverage should document the important moments, the setting, and the people who made it happen. Commercial work should meet the shot list, deadline, file requirements, and agreed image usage.
I provide direction when it is useful and step back when a natural moment is stronger. Clients can expect organized planning, calm communication, thoughtful editing, and a final gallery that is easy to use.
“My job is to make useful photographs people can still connect with years later.”
RIOVIISUALS / PRIMARY CRESTThe RioViisuals crest is a shared mark used across my photography and connected creative projects. It brings the ouroboros, the eye, the spade, and a segmented outer circle into one symbol. Together, those parts represent the values behind the work: pay attention, keep growing, protect the people around you, and create with a clear purpose.
The crest is not decoration added after the work is finished. It is a visual reminder of how I want the work to operate—aware of its surroundings, honest about change, loyal to community, and built to last.
Continuity, long-term work, and the cycles that connect one project to the next.
Different stages, decisions, and thresholds inside a larger process.
Identity, loyalty, resilience, and chosen family.
Awareness, truth, protection, and the responsibility that comes with documenting people.
Renewal, transformation, and the ability to begin again without losing what was learned.
My work combines photography, production, client service, community programs, interviews, and live-event experience. That background helps me manage both the creative work and the practical details around it.
I manage projects from the first conversation through planning, scheduling, photography, visual direction, editing, licensing, delivery, invoicing, and follow-up. My work includes portraits, campaigns, interviews, products, nightlife, festivals, brand activations, weddings, and community documentation.
I led community programs and media work focused on neighborhood documentation, access, and local connection. The role required clear communication across residents, creative partners, institutions, vendors, and public events, and it strengthened how I plan and lead productions today.
My experience has been built through steady practice: studying light, directing people, working in difficult environments, solving production problems, learning from other creatives, and helping younger photographers understand both the camera and the business around it.
Selected brands, institutions, festivals, cultural spaces, and community organizations I have photographed, produced for, or supported through RioViisuals.
Whether the project is for a national brand or a neighborhood organization, I bring the same approach: understand the goal, respect the people, communicate clearly, and deliver what was promised.